Park it. Shoot it. Zero Post.
Welcome to Rear Projection Driving.
Built by filmmakers, for filmmakers! Park it! Shoot it!. Zero post!
The ultimate In-Camera Visual Effects System. (ICVFX) Cost-effective & simple.
Los Angeles’ only dedicated studio specializing exclusively in Rear Projection Driving.
Perfect for studios, television, music videos, commercials, content creation and any motion environments.
Located in the heart of North Hollywood, we offer a cutting-edge, cinematic alternative to green screens, LED wall volumes, and expensive Process Trailers.
Designed for Directors and DPs who crave realism, efficiency, and control.
No green spill | No street permits | No police escorts | No changing weather | No post
REAR PROJECTION DRIVING SYSTEM
HOW IT ALL WORKS! (IN 2 MINUTES AND CHANGE)
WHY US vs THEM?
🎬 A Smarter, More Cinematic Way to Shoot Driving Scenes
Filming realistic car scenes shouldn't drain your budget or eat up your schedule.
At Rear Projection Driving, we replace expensive process trailers, frustrating green screen workflows, and high-maintenance LED Wall volumes with a streamlined in-camera visual effects (ICVFX) solution.
Shoot stunning, controllable driving scenes in-studio, with no street closures, no permits, no green spill—and no surprises in post.
🚫 The True Cost of a Process Trailer Shoot
Most producers don’t realize how much it really costs to shoot with a process trailer. Here’s the breakdown:
Process trailer: $3,000–$5,000 per day
Tow vehicle & driver: $1,500+
Police escort: $1,000–$2,000
Street permits: $500–$1,500
Insurance & safety rigging: Costly and time-consuming
Weather or traffic delays: Risk of reset and lost time
That’s $10,000 or more per day, with no room for flexibility.
💸 Green Screen Has Hidden Costs
Green screen setups might seem cheaper but post-production says otherwise. Common issues include:
Green spill on actors and reflective surfaces
Unnatural lighting and reflections
Disconnected performances (actors can’t “see” the world)
Heavy VFX lifting in post: rotoscoping, compositing, lighting fixes. Finding qualified CGI artists
Delays and overages that kill your schedule
📹LED Wall Volumes: What You Need to Know
Too dang expensive!
LED wall stages can cost $10,000–$30,000+ per day, not including setup (more money) LED techs (more money), calibration (more money)
Rear Projection Driving offers a fraction of the cost, with all-in pricing, 4K plates included, and MUCH fewer crew needed.
No Moiré Patterns
Rear projection uses smooth optical screens, not pixelated LED panels—so you’ll never get distracting moire effects or scan lines on camera, even with tight lensing or shallow depth of field.
No Flicker or Banding
LED walls can introduce camera flicker, color banding, or ghosting depending on your shutter angle and sensor. Rear projection uses continuous light from projectors, giving you clean, consistent frames.
Faster Setup and Turnaround
Rear projection is plug-and-play. No multi-hour LED mapping, no Unreal Engine pipelines, no complicated rendering environments.
You walk in, film the scenes, and walk out with the shot in the can!
Easier on Camera Sensors
Some high-resolution sensors (ARRI, RED, Sony Venice) struggle with high-frequency LED patterns. Rear projection is camera-safe at all resolutions and frame rates.
Available Now. No Waitlists. No Hype.
LED volumes are often overbooked, overpriced, and underdelivering for simple car scenes. Rear Projection Driving is ready when you are.
✅ Why Rear Projection Driving Simply Works Better
We offer a dedicated rear projection stage in North Hollywood, built specifically for car scenes using 4K cinematic driving plates. It’s a game-changer for directors and DPs who want realism without any of the baggage.
Key Benefits:
🔥 In-Camera Final Look – What you see on the monitor is your final shot
🎥 True reflections on windshields, surfaces, and actors’ faces
🚗 No vehicle movement or driving risks
🌤️ Total control over lighting and weather
💰 Massive savings over process trailers or LED walls
🛣️ Hundreds of driving plates: Day, night, city, desert, highway, rain, and more
This is how they did it on classic films and now productions are bringing it back for its efficiency, authenticity, and style. All with an updated modern state-of-the-art twist!
🎯 Who It's For
Rear Projection Driving is trusted by:
🎬 Filmmakers & DPs looking for realism and control
📺 Television productions with fast turnarounds
📹 Commercial directors needing consistent setups
🎵 Music video creators on a budget
🎭 Indie storytellers tired of green screen limitations
📍 Conveniently Located in North Hollywood
Our studio is centrally based in the heart of Los Angeles' film industry, making it easy for your crew and talent to access. Fast load-ins. Fast turnarounds & cost-effective!
SOME OF OUR TRUSTED CLIENTS:
OUR STUDIO WAS EVEN FEATURED AT CINE GEAR EXPO, LA!
LEGENDS!
SUPERSTAR BAND GREEN DAY & LUKE SKYWALKER HIMSELF : MARK HAMILL USING OUR STUDIO!
RILEY DAYNE - Director, Writer
"I’ve shot several scenes from my feature film here. It made my job as a director incredibly easy to get the best out of my actors."
11927 Sherman Road, UNIT 2, North Hollywood 91605
CONTACT US
We’d love to hear from you!
We sell our driving plates to the public
but they come 100% free when you book the stage!
NEED A GREEN SCREEN STAGE?
Take a look inside the fully equipped green screen stage at Genetic Code Pictures in North Hollywood — ideal for VFX, films, interviews, commercials, and virtual production!
WE’VE GOT YOU COVERED!
We offer a full service Green Screen Studio, fully equipped with gear and full production if needed.
FIND OUT MORE ABOUT OUR #1 RATED GREEN SCREEN STUDIO IN LOS ANGELES!
